Expand Cut Tags

No cut tags
pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Worst Witch)
I’m starting a to read (and then write about here) The Worst Witch by Jill Murphy. I’ve decided to do some minor things differently from when I was reading and writing about Gobbolino - I’m not sure what is and isn’t going to work. I’m very much hoping you all will comment and that we can get some actual discussion going.

I’ve chosen the Worst Witch because I loved it as a Small. I remember having at least the first few chapters read to me as a bedtime story but also have a strong memory of it being one of the first chapter books that I read myself (this distanced in time I’m not sure if that was two separate readings of if my Parents started reading it and then I got hooked and just had to finish it. (My flavour of dyslexia meant I was slow starting to read but then once I grasped the basics I improved very quickly and zoomed up the “reading age” charts even though my spelling remained delayed). I also remember meeting the author at a “Puffin Exhibition” sometime in the early 1980’s and finding that very exciting. (Presumably that was either 1980 when The Worst Witch Strikes Again was published or 1982 when A Bad Spell for the Worst Witch came out) She was a real person! And even though she was a proper grown-up and therefore impossibly old she was also noticeably younger than my parents and somehow that made the idea of writing or other creating seem more achievable.
Although I didn’t go to boarding school my (local, state, mixed sex) Primary School was quite traditional (and indeed old - it celebrated its centenary in my first year there) and I could see a lot of similarities with Cackle’s. And between school, church and my extended family structure I lived in quite a feminine world (obviously there were almost as many boys as girls in my class but the teachers were mostly women. At church Dad was the Minister but the Church Secretary and at least two thirds of the Elders were female) which also resembled Cackle’s. I often day dreamed about magic and very much identified with the untidy, accident prone often scolded Mildred.
Later in the 1990s as a newish adult I nostalgically read The Worst Witch All at Sea when came out and watched the ITV series based on the books (and it’s underrated follow up Weirdsister College). I came back to the books again as an Aunty and the more recent BBC/Netflix series (which expands the non magical parts of the Worst Witch World in interesting ways). I was very sad when Jill Murphy’s death was announced last year.


A couple of the things I’ve decided to do differently for this reading is to have randomly selected chapter themes and to concentrated on just the Reading Practices of Lectio Divina and PaRDeS. I think having to look for a randomly-selected theme will encourage me to look more closes - when I’m in the Floo Network group I sometimes find that the themes chosen by other group members that I initially don’t think will be very promising turn out to be unexpectedly rich (obviously sometimes none of us are able to find much for a particular theme!). And when I’m reading by myself (although hopefully in companionship with your comments) it’s particularly good for me to have my outlook stretched. I put the entire HPST master themes list into a picker wheel and let it choose a theme (and an emergency back up just in case any of them are really unworkable) for each chapter.
The reason I’m focusing down on just two Reading Practices is that it’s quite a short book (just ten chapters) and cycling through all the possible Practices wouldn’t do any of them justice. I do particularly like Lectio and PaRDeS (I don’t have a favourite practice as such because they all have richness, and times when they are more or less applicable), they both work reasonably well as solo practices (obviously Havruta is all about working in a pair and even though it’s perfectly possible to do Sacred Imagination alone I find I get significantly more out of it in a group) and as similar, but intriguingly different, 4 step structures I think it will be interesting alternating between them. I am also going to choose a sparklet from each chapter to do a whole book Floralegia at the end.
I’m choosing to simplify the summaries of each chapter - trying to stick to the 9 sentence and 3 sentence structure was a fun challenge but I felt it got a bit distracting for me. Obviously without that structure I might find it challenging to simplify enough and not just tell you the whole chapter and my commentary on it! So I’m particularly interested in your thoughts about how that’s working for you as readers.
I don’t think the structure of the Blessings needs to change (I find it surprisingly powerful for such a simple concept) - I’ll stick with choosing one obvious and one less obvious (at least less obvious to me) character to bless from each chapter.

It’s got a bit late now so I’ll write up Chapter 1 through the theme of Humility in the next day or two. As ever I’m interested in all your thoughts about the book or the theme or the Practices - and about any Sacred Reading and other practices you may be doing yourselves.
Have you read (or watched - apparently as tell as the two television series there was a late 80’s film which I’ve not seen) The Worst Witch? Did you like it? Was it meaningful to you? Or do you find it a strange book to pick for Sacred Reading?
pobble_reads: Book cover of Gobbolino the Witch's Cat by Ursula Moray Williams (Gobbolino)
This is the final chapter of the book and it like all good fairy tales it has a happy ending. Or at least it’s a mostly happy ending - Gobbolino finally finds a safe and loving permanent home - but it’s complicated. He has had to be stripped of some of his witch’s cat magical powers so that he can finally become a kitchen cat. He doesn’t seem to mind, or at least thinks that it’s a fair exchange, but I’m a little bit sad that he’s had to give up the things that make him special in order to be accepted.
I think this goes back to Terry Pratchett’s argument in Witches Abroad that there is not really such a thing as a happy ending. Unless the heroine/heroes/happy couple die immediately after reaching the goal/returning home/getting married it’s not really an ending. And even when the main characters are happy there’s all sorts of collateral damage along the way - what about the families of the mice Gobbolino killed? How long did it take for the Orphange to find a new Cook and was the Porteress overstretched and the children somewhat neglected until they did? How did the Punch and Judy Troupe find a new Dog Toby? And even once they did how much longer did it take for them to escape from the harmful gossip about one of their actors being a witch’s cat?
I think I’m probably oversensitive about a narrative that suggests that becoming more normal is the way to be accepted. Becoming normal isn’t an option for a Queer Autistic Chronically Ill Person but that hasn’t stopped plenty of people suggesting that I try! But Gobbolino is happy to be a Kitchen cat - he never wanted to be a witch’s cat so he doesn’t seem to feel that he has lost anything (apart from the ability to swim and to speak to humans and he doesn’t seem particularly bothered about even those). Maybe a more appropriate equivalent is the procedure I just had to correct a heart defect - the process wasn’t fun but I’m thrilled to have had the troublesome tissue removed. Perhaps all transformations inherently involve some kind of loss but many of them are worth it?

Anyway, i should probably stop discussing what happens in this chapter until I’ve done the nine and three sentence recaps.

9 Sentence Recap
Gobbolino survives the cauldron but is changed
The Hurricane Moutain Witch is angry but Sootica rescues him
She drops him off the broomstick and into a river
Gobbolino finds he can no longer swim
But he is rescued by the MIll children
They are not sure if he is their old Gobbolino but they take him home
Their father checks him for magic and says that he can stay
It turns out that the Brothers regularly visit this farm
Gobbolino contentedly falls asleep at the feet of the farmer’s wife

3 Sentence Recap
Sootica saves the cauldron-transformed Gobbolino
He falls into the same river by the Mill he fell into before
This time he can stay at the Mill-Farm for ever

The first example of love in the chapter is Sootica resucimng Gobbolino from the still angry Hurricane Mountain Witch. She grabs the witch’s broomstick, calls out to him to join her on it and flies him far away from he screaming witch. She obviously loves her brother and feels enough connection with him to save his life even though she still doesn’t approve of him and his desire to be a Kitchen Cat:
“Don’t thank me!” Said Sootica. “You are a disgrace to the family, and I never want to see your face again. But you are my blood-brother after all, and I did not want to see you hurled down the mountainside.”

Gobbolino obviously loves his sister too, even though he disapproves just as much of her vocation. In spite of his extreme fear of heights, the trauma he has just been through and his own uncertain future, he is concerned about Sootica’s safety if/when she returns to the Hurricane Mountain Witch. Fortunately she is able to reassure him that she will be fine.
Sootica’s final act of love is to push the terrified Gobbolino off of the broomstick. He is far too sacred to jump. Pushing him is definitely “tough love” - it isn’t what he wants and she doesn’t sugar coat it with comforting words but it is what is necessary. She knows that he is capable of landing on his feet even if he can’t see that yet - her love shows her that he is stronger than his own image of himself.

The Mill-Fatm children rescue the struggling cat they say in the river into because he is their beloved Gobbolino (he is too far away for them to recognise) but use because he is a living creature in trouble. That is a different kind of love than a personal relationship. It’s beautiful and important.
After they get him out of the river they aren’t sure if he is their Gobbolino or not. It’s not just that the journey has changed him and that he has gotten older - the magic of the cauldron has removed his witch’s cat abilities to swim or speak to humans and has even emphasised the tabby patterns of his fur (though his eyes and paws are unchanged). Their love for Gobbolino is robust enough that it can cope with him having changed. They may be surprised that he can no longer perform his old tricks but they accept that. Even though they decided that he must be the same cat that they used to know their behaviour suggested that they would also have been able to open their hearts to a different kitten. Their love is expensive rather than excluding. (I find the challenge of holding a personal connection kind of love without letting kit become excluding really hard - harder even than maintaining the more abstract love for all fellow creatures which is definition also challenging at times)
Just like in chapters three and four the Farmer acts out of protective love for his family. He checks the rescued cat carefully for potential magic. Unlike the children his love requires drawing firm boundaries. It’s harder for me to accept as love - if he did reject Gobbolino again that would be certainly be unloved me towards a living creature who can’t help what they were born as - but it is a result of his love for his still vulnerably young children to protect them from potential danger. When he can find no trace of magical ability in the cat he decides that it can not be the same Gobbolino. He is able to take the ore obviously loving path of letting the children keep this cat they they have obviously bonded with and begins to open his own heart to building a relationship with him too.

Gobbolino obviously has affection for the Mill-Farm children (and gratitude to them for having rescued him twice) - we aren’t sure if it yet counts as love. He undoubtedly did love the three Brothers (and the baby) and is overjoyed to meet them again as visitors to the farm. They are equally delighted to see him. They seem to have flourished since he left them bonding further with their new parents and with their playmates at the farm but are still able to pick up their old bond with Gobbolino. There is enough love in their lives that they would have coped perfectly well if he had just remained a memory to them but are thrilled be reunited. They ask him Oh where, oh where have you been? And why haven’t you come to see us before? not because they were terribly unhappy without him but because their childish love and trust in him meant that they never considered that he wouldn’t make good on his promise to return to them. Even the baby is distracted from it’s favourite activity of picking dandelions to come and cuddle the long lost cat. As adults they will presumably gain a more realistic understanding of limits and possibilities but hopefully the strength of their love will remain.

Gobbolino finally feels safe and settled. He imagines loving generations of this household - the children’s will grow up and have children of their own (fairy tale happy endings never included things like infertility or even the family deciding to start a new life elsewhere). He is able to be content because although the family members us age and change he sees an unbroken chain of love and belonging stretching out into the future. The Framer seems to be imaging the same but in a more understated and practical way

“There are worse kitchens than this, Gobbolino, and worse home than ours,” said the farmer, filling his pipe. “While there is a fire on the hearth, there’s a place beside it for you, and a saucer of milk and a bit of fish on Sundays. Is that true mother?”
“That’s true, father!” said the farmer‘s wife and Gobbolino purred his gratitude.


—————————-

So that’s the whole book (sorry about the assorted delays) I’ll try to get to the Floralegium and Blessing for this chapter soon. Then i would like to read the About the Author note in a similar way to the chapters and do an overview and whole-book Floralegium.
What do you think of this chapter? Where do you see love in it? What have i missed? And where do you stand on whether this is truly a happy ending?
pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Default)
I'm sorry, I've realised that I jist have the spoons to write up our next Gobbolino chapter before I throw myself into the HPST Summer School/Retreat. Instead I'm going to do a quick write up of the HPST Night of BlessingsLiveShow methodology. This weekend, before the summer camp proper begins they did two liveshows for people living in European and Australian Time Zones (because unlike me a lot of people aren't able to turn their lives upside down for a week). I attended the Europe session which was in the early evening for me (lunchtime -ish for the Hosts).

First of all they welcomed us and encouraged us to share (in the text box) our "dungeons and towers" for the week as a check-in and to help us come together in the (virtual) sacred space talked a little about the idea of Blessings (which is discussed further in Casper's book The Power of Ritual - i've finished reading it now and highly recommend it). They spoke about things like Blessing and Sacred Reading Practices as "Spiritual Technologies" which i really liked.

The way the evening worked was that each Host choose a Character from the Harry Potter series who is particularly important to them ( Vanessa choose Molly Weasley and Casper chose Dumbledore) and spoke a little about why they resonate with them (keeping a gently critical eye on their character's flaws).
Then we did a Sacred Imagination on a couple of passage that particularly exemplifies those characters. The passages were read on video clip by "Friends of the Show", slowly and carefully to give us time to fully enguage our imagination but with expression and a touch of humour. It reminded me that reading out loud can be such a great gift.
The Sacred Imagination excecisrs lead the Hosts and then us to bless the characters - similarly to the Blessings I give at the end of each chapter.
We then moved from blessing fictional characters to blessing real people (and creatures and things). Using Gobbolino as an example, after reading I might ve inspired to Bless everybody who is homeless as Gobbolino keeps search for a new place to live. Then focusing in on more specfic resonances to bless LGBT people who are rejected by their family of orgin in the same way that Gobbolino is rejected by Grimalkin, Sootica and the Witch. And moving even more specifically to bless a particular friend who is looking for a new job/career as Gobbolino explores different roles.
Finally we we encouraged to move to blessing ourselves. Again using the example of Gobbolino i can Bless myself for my (existing/ongoing) care of children or in the hope that I will be able to develop some of his optimism and ease in making new friends...

Obviously any online event lacks something compared to in person ones but this had a lovely atmosphere. I always enjoy listening to Vanessa and Casper and I felt for/with the attendees sharing their Blessings in the text box (C&V read a selection out loud, which was useful for accessibility). I'm looking forward to using my reading to inspire more Blessings - and for my act of blessing to inspire changes in my attitude and behaviour even if it doesn't have any more metaphysical benefits for whoever I have Blessed.
pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Default)
I’m currently floompy and have not-enough-brain due to lurgy (still fortunately mild and manageable) so I can’t write up chapter 3 (or fully focus on doing a Sacred Imagination practice) right now. Sorry if you were waiting for it. I will get to it when I can - I do enjoy the process of writing here because it helps me solidify my thoughts and pushes me to explore further.

In the meantime here is a child-friendly version of Lectio Divina practice (on a Christian website and using a Biblical passage as an example but definitely suitable for people of other faiths or none and for looking at other texts)

And in the spirit of going back a book I loved as a small child I’d love to know what if any books, programmes, music and art etc you are revisiting during lockdown?
(I’m skimming the Harry Potter books for the online HPST course and am watching stuff on CBeebies which isn’t from my own childhood but helps me feel connected to the Smalls and the past a-bit-more-than-a-decade of being their Aunty)
pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Default)
I'm currently having HeadWeasels about what i wrote about chapter 1 being quite obvious and shallow. I'm trying to remind myself that this is a process and i hope as i keep on with the practices and reading in this way i'll be able to go deeper and maybe come up with more insights? And also with any creative endeavour (and i think reading in this way is creative) sometimes it just flows and sometimes it doesn't...
I want to be writing something that's worth the time it takes to read it!

Writing up the first chapter took ages (i haven't typed that much in a while and had a slight ache in my fingers afterwards) and seems like a big block of text. So i'm wondering if it would make sense to break it up a bit more (Or whether i just need to be a bit more paced in my drafting?)? What would be easier for you reading?
Thinking the easiest break points would to do one post about the theme and the 9 and 3 sentence recaps and then do the Sacred Reading Practice and Blessings separatly. What do you think?
pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Default)
This is a journal set i have set up just for experiments in Sacred Reading inspired by the Harry Potter and the Sacred Text podcast.
I'm going to be reading Gobbolino the Witch's Cat by Ursula Moray Williams because i loved it as a child and using themes from the HPST master-list as lenses to examine it more closely.
You are very welcome to join me on the journey.

It's taken me far longer than i thought it would to set up this journal and deal with a couple of computer issues so i won't start writing about the first chapter tonight! I'm going to be looking at chapter 1 Gobbolino in Disgrace through the theme of adversity.

Profile

pobble_reads: Book cover of “The Worst Witch” by Jill Murphy (Default)
pobble_reads

January 2022

S M T W T F S
      1
2345678
9101112131415
16 17181920 21 22
23242526272829
3031     

Most Popular Tags

Syndicate

RSS Atom

Style Credit

Page generated Dec. 31st, 2025 08:58 am
Powered by Dreamwidth Studios