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pobble_reads: Book cover of Gobbolino the Witch's Cat by Ursula Moray Williams (Gobbolino)
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Today got somewhat eaten by period pain but i can at least post the Sacred Imagination/Ignation Imagination passage I've chosen to explore for this chapter before i go to sleep.
In Sacred Imagination we try to imagine ourselves in to a passage and play close attention to all of our senses as well as our feelings and thoughts. It's something many people natural do at least a bit as they read by others find it harder. Most people find on or more senses easier to access than others (I'm still short sighted and have both hyperacusis and some hearing loss even in my imagination - possibly if i had developed those later in life than i did then they wouldn't necessarily be part of how my "mind's eye" sees and hears?) Sometimes I identify with one particular character (or flip between two or more) and other times I'm more of a floating observer...
A useful introduction to the method from a Christian perspective is here. I'm sure it's something people from all faith traditions have done but the followers of St Ignatius (Jesuits and others) are prolly the ones that have discussed and promoted it most. (Also i have a soft spot for Ignatius because his feast day is my birthday!)

I find it easiest to do if i can be restful and close my eyes so i recorded myself reading the passage out loud. (And spent the first few seconds cringing about how my voice sounds!)
It comes from near the end of the chapter after the Children have rescued Gobbolino from the mill-race and taken him back to their home.

The farmer’s wife took Gobbolino on her lap and wiped his wet fur with a warm cloth.
“And where do you come from, my little cat?” she asked him kindly. How did you come to fall in the terrible mill-stream? Don’t you know you might have been drowned?”
“Yes ma’am!” replied Gobbolino gratefully. ”I fell in catching fishes. I come from the cavern in the forest up yonder, and the river brought me down here.”
When his fur was dry the farmer’s wife gave him a good drink of warm milk, and while she went out to milk the cows he amused the children and the baby by all kinds of strange tricks that every witch’s kitten knows by heart. He made blue sparks come out of his whiskers and red ones out of his nose. He became invisible and then visible again, and hid himself in all kinds of strange places for them to find him again, in the cuckoo clock, in a teacup, in the farmer’s shoe, till the children were tired of laughter and begged him to be quiet and give them a little peace.

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